George egerton a lost masterpiece
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The Speaker: The Liberal Review 8:609–611. ‘Green World’: The Mock-Pastoral of the Irish R. Individualism, Decadence and Globalization: On the Relationship of Part to Whole, 1859–1920. Texas Studies in Literature and Language 43 (3):243–266. Figuring the New Woman: Writers and Mothers in George Egerton’s Early Stories. Original edition, 1893, 1894.įluhr, Nicole M. A Leaf from the Yellow Book: The Correspondence of George Egerton, edited by Terence de Vere White. In Ten Contemporaries: Notes Toward their Definitive Bibliography, edited by John Gawsworth, 58–60. ‘Half-Man or Half-Doll’: George Egerton’s Response to Friedrich Nietzsche. In Narrative Unreliability in the Twentieth-Century First-Person Novel, edited by Elke D’hoker and Gunther Martens, 147–70. Unreliability Between Mimesis and Metaphor: The Works of Kazuo Ishiguro. The Canadian Journal of Irish Studies 24 (1):23–50.ĭ’hoker, Elke. The End of the Hunt: Somerville and Ross’s Irish R.M. Notes on Modern Irish Literature 12:12–17.ĭevlin, Joseph. Another Irish Myth: Somerville and Ross’s Some Experiences of an Irish R.M. Irish Studies Review 8 (1):23–33.ĭeane, Paul. The Resident Magistrate as Colonial Officer: Addison, Somerville and Ross. Lewisburg, Bucknell University Press.Ĭrossman, Virginia. Cork: Cork University Press.Ĭronin, John. In Nation and Dissent in Irish Writing, edited by Eibhear Walshe, 87–102. Lost Time: The Smell and Taste of Castle T. Online access: Literature Resource Centre.Ĭowman, Roz. British Short-Fiction Writers, 1880–1914: The Realist Tradition, edited by William B. London: Routledge.Ĭowart, Claire Denelle. The Economy of the Short Story in British Periodicals of the 1890s. Eire-Ireland: A Journal of Irish Studies 28 (3):87–102.Ĭhan, Winnie. ‘Humor with a Gender’: Somerville and Ross and the Irish R.M.
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Oslo: Norwegian University Press.īowen, Elizabeth. Rebellious Structures: Women Writers and the Crisis of the Novel 1880–1900. London: Pickering & Chatto.ījørhovde, Gerd.
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Art and Commerce in the British Short Story, 1880–1950. Lanham, MD: University Press of America.īaldwin, Dean. The Irish Short Story from George Moore to Frank O’Connor. London: British Library and Oak Knoll Press.Īverill, Deborah M. The Age of the Storytellers: British Popular Fiction Magazines 1880–1950. New Brunswick: Rutgers University Press.Īshley, Michael. New Women, New Novels: Feminism and Early Modernism. The Speaker: The Liberal Review 10:683–685.Īnonymous.
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George egerton a lost masterpiece free#
Through a detailed analysis of their short fiction, this chapter shows how these writers all foreground social conceptualizations of the self: Somerville and Ross by depicting individuals as part of a community (albeit one ambivalently defined in terms of class, gender and nationality) Egerton by modifying the Nietzschean conceptualization of the free and strong-willed individual into the ideal of the relational self, shaped by both personal freedom and an ethics of care. George Egerton’s experimental and innovative short stories in Keynotes (1893) and Discords (1894) prepare the stage for the impressionist, mood-dependent, and psychological short story which would flourish in modernist literature. (1899) offers the prototype of the popular, plot-bound, magazine story which was hugely successful in the late nineteenth and early twentieth century, and continues to exert its influence until this day. Somerville and Ross’s Some Experiences of an Irish R.M. It argues that the short fiction of George Egerton, on the one hand, and of Somerville and Ross, on the other, can be considered the starting points of two trends which have dominated the Irish short story throughout the twentieth century. Although George Moore is usually hailed as the ‘father’ of the modern Irish short story, this chapter makes a case for alternative ‘mothers’ of this tradition.